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But this time… bigger… meaner… and far more unstoppable than anything that came before. Jurassic Park has long since been my favorite movie of all time. As someone with a great love of dinosaurs, someone who loves a rip-roaring action movie and someone who does appreciate fine film making, that film always appealed to me on every level. Having seen Jurassic World finally come to life, I loved it almost as much. Forget the negativity that surrounded it, the ridiculous nit picking from people who just want to hate a hugely popular movie, just sit back and enjoy the movie with a massive bag of popcorn and a frosty drink — the reason any of the Jurassic Park movies were made.

Not only my favorite movie of , but my favorite movie since the original Jurassic Park. The plot sees a businessman and his family travel to an unnamed Asian country to start a new life. The film creates consistent tension by crafting plausible scenes which play out in believable ways.

Having established that the stakes are life or death, just watching our heroes hide in a wrecked office building, fearing discovery, becomes thoroughly gripping. For all the thrill of watching Tom Cruise cling to the side of aircraft MI: Rogue Nation , or Vin Diesel leap from one skyscraper in a car Furious 7 , the scenes are so unbelievable they have all the drama of a melting ice cube.

And remind yourself of the lost art of telling a simple and exciting story. My pick for the best video game of is Batman: Arkham Asylum and its sequel Batman: Arkham City before the follow-up game, Batman: Arkham Origins was developed by Warner Bros.

With Gotham City under lockdown by Dr. Batman, after having been exposed to the latest strain of Scarecrows infamous fear gas, is also forced to content with apparitions and nightmarish hallucinations of his old adversary, The Joker.

But aside from there being significant improvement from the perspective of the story, there was also most definitely massive improvements in the way of gameplay, incorporating new features such as enhanced combat, more intricate puzzles, more collectibles, and most notably, the inclusion of the Batmobile and vehicular combat, giving the game more of an edge than any of the other Arkham games had before it.

Arkham Asylum, Arkham City and Arkham Origins established new standards for licensed games, and built upon the designated gameplay formula to varying degrees of success, but Arkham Knight most definitely perfected it. Ales Kot has had a strange year. The last issue of 4-issue miniseries The Surface had him completely abandoning the story to write himself into the comic.

Even stranger, the futuristic spy serial, Zero , has its last arc shifting the narrative to William S. Burroughs tripping on mushrooms and jumping through metafictional space within the story. Despite taking a dramatic left turn from the awesomely cinematic espionage elements, this final arc feels essential into unpacking the deeper themes Kot slowly revealed in the previous issues each one with a different artist no less.

Zero is a lot to process from its first issue in to its final and eighteenth issue in As far as this year, the comic traverses two major story points. Issue 14 is the conclusion of the battle begun in the brutally violent Issue In the previous issue a man is punched repeatedly in the mouth until the puncher is elbow deep in a mangled, lifeless face. Issue 14 manages to outdo this.

Vaughan, and others have put out this year. But the last five issues of Zero really show the expansive vision that Kot has for his part series. The diverse, yet singularly compelling artistic collaborations Kot has had with the five different artists as well as consistently surprising colorist Jordie Bellaire and creative letterer Clayton Cowles are surprisingly appropriate and elevate the tale a way that a single artist may be unable to accomplish.

Over the top deaths…double check. Side-splitting laughs…check, check, check. Frequently, I find myself perusing the plethora of options at Redbox, hoping to find something enjoyable to watch. Any movie that makes me regret not seeing it at my local AMC is worth a rent. What an amazing year it has been for professional wrestling. As a wrestling fan and host of a The DomiNate Wrestling Fancast podcast show, I have indulged myself and have been sort of a connoisseur of more wrestling than at any point in the 25 years that I have been a fan.

To come up with a clear cut Match of the Year for was tough because there have been so many phenomenal matches that I can name off of the top of my head from a variety of wrestling feds whether it be mainstream or from independent promotions. When I think about the Match of the Year, I think about a match that, from bell to bell, has all the ingredients necessary to keep you engaged, take you on an emotional roller coaster, gets you high on an adrenaline rush, and by the end of the damn thing, you have expelled all of your energy because the match captivated you through its magic.

This match had everything! Not only did this match have that aforementioned intense physicality, but it told a story.

The energy and the atmosphere was contagious. This match was not about kicking out of finishers and dramatic nearfalls, this match went back to the basics. What these two women did is exemplary in defining what professional wrestling is all about from an in-ring perspective and why what these athletes do in the ring should be looked at as a form of art being painted on a totally different canvas.

At first, both men seem to be seeking to settle up with one another, but by the time Django discovers he is working with the masked vigilante Zorro it is too late for him to pack it up and go home. Co-writer Matt Wagner and artist Esteve Polls set Django on a path to become a mythological figure by pairing him with such a classic character. Between the mind-bogglingly beautiful sets, the intricate costumes and creepy digital effects work, Crimson Peak deserves to be one of the most celebrated and studied movies of Out of the horde of spy- and espionage-related movies released in , The Man from U.

Is this part of your journey everything you thought it would be? When I come into a situation, especially like this one in NXT, my goal is to get to perform in front of these fans, to get to wrestle with these guys, who are in my opinion, some of the best wrestlers in the entire world.

I felt like I could fit really well in this environment and I think I have. Very happy with the journey so far.

It puts you in a situation where you learn to adapt and change, whether it be character wise, things that you do in the ring. It just gives you new challenges. When I watch the backstage segments with you, Kyle, and Bobby, they come off like old school nWo style promos.

I would imagine it has to be awesome to just bounce off of each other while filming those. Me, Bobby, and Kyle are as close as it gets. We talk every single day. So I think in turn how we project ourselves comes off as fun because we are genuinely having a great time together. Speaking of coming off natural, you come off so natural on the microphone. Is the speaking part of the business something that you were able to gravitate towards and get comfortable with quickly? There is a constant growth process.

For me, I picked up the promo aspect of pro wrestling much faster than the actual wrestling part of it. I was always fairly athletic and I could do things even from the beginning of my career, when I was 18 and 19 years old. I was always the guy who could always string words together and found what I was saying to be actually believable however I was trying to come across, whether that be somewhat likeable or somewhat of a jerk. I used to love the way James Bond villains would act and how cool they came across and how awful they seemed, but what they were saying was so believable.

Your in-ring style is very interesting to me. When I first started, I was definitely a guy that was doing every move under the sun and I was going a million miles an hour and just trying to wow the fans as much as I could.

I thought that was the way to get them invested in me. All of my favorites in this business really took their time. They made everything they did mean something. For instance, I watched your match with AJ [Styles] in Ring of Honor recently and you guys worked such a slower pace, but it built up to a huge finishing spot that is going to stick with the viewer. AJ is a guy that can do anything under the sun.

How many times has someone come up to you at the Performance Center and said you look like Shawn Michaels? Whether that be at the Performance Center, whether that be fans.